ANASTASIA BURN
Artist Designer
Kia ora, this website has not been updated since 2022. An up-to-date version is currently in the works and will be updated at a later date. Feel free to view my older work in the meantime.
However, I still available for freelance work.
Please get in touch to collaborate.
Finished working up in April at
The Pantograph Punch
anastasia.e.burn@gmail.com
Omārōrō, Te Whanganui-a-Tara, Aotearoa
© ANASTASIA BURN. All Rights Reserved
Further information and full resolution images can be requested via email
TYPOLOGY: A CLASSIFICATION OF TYPEFACES
Typology | 2019
PUBLICATION
Editorial | Typography | Print Production
Typology: A Classification of Typefaces is an editorial publication that celebrates the history of typefaces. The publication explores typeface categories, characteristics, anatomy and alternatives for popular typefaces and fonts. In honour of a typologist, one could call this publication the ‘Type Bible’.
Tasked with designing and putting these historic typefaces on display, I favoured a minimal and simple approach that is simultaneously engaging. The publication is an easy, referential dissection of type, invoked by a subtle ‘x-ray’ theme. Informing this idea further the stock, quality of materials, binding and colour has been chosen to reflect the silky, screened quality of x-ray film. The publication is contained within a sleeve which one removes to ‘see beneath’ these typefaces. In developing my concept, I created a system of repetition that offered a full showcase and exploration of each classification, inside and out, for easy comparison and reference.
There are copies for sale of this publication.
Please get in contact if you are interested.
Typology: A Classification of Typefaces is an editorial publication that celebrates the history of typefaces. The publication explores typeface categories, characteristics, anatomy and alternatives for popular typefaces and fonts. In honour of a typologist, one could call this publication the ‘Type Bible’.
Tasked with designing and putting these historic typefaces on display, I favoured a minimal and simple approach that is simultaneously engaging. The publication is an easy, referential dissection of type, invoked by a subtle ‘x-ray’ theme. Informing this idea further the stock, quality of materials, binding and colour has been chosen to reflect the silky, screened quality of x-ray film. The publication is contained within a sleeve which one removes to ‘see beneath’ these typefaces. In developing my concept, I created a system of repetition that offered a full showcase and exploration of each classification, inside and out, for easy comparison and reference.
There are copies for sale of this publication.
Please get in contact if you are interested.
